ethan murphy

what's left & what's gathered

What’s Left and What’s Gathered is an exchange between my late father and I that explores my relationship with identity and loss through collaboration with the absent body. This series examines a conversation ten years after his death by visualizing various strategies that create a dialogue between us. I am interestedin how loss can lead to creativity and resilience over time. The series operates around two central questions;What is physically left to observe that informs the way you think about a person? How does the gathering ofobjects, ideas, and values impact your perception of them?

The photographs are made in Newfoundland, mainly at a cabin he purchased and left to my sister andI. The structure has always been a place for potential and creativity, photographing there has encouraged me tocollaborate with the space that was intended for growth. Newfoundland’s rural environment has served as a senseof place for us both and returning there to photograph is a simultaneous return to my father. I have acquiredmany of his possessions over the decade including his writing, mainly poetry from which I have taken excerpts to use as image titles. The recontextualized relationship between text and image connects us as artists andanchors collaboration since he did not know me as a photographer nor did I know him as a creative writer andin this work we can coexist.

I am interested in what common ground looks like between us, the way that it is dynamic andmanifests in multiple forms. By situating various image making strategies in this body of work, including stilllife, self-portraiture and activating this piece of architecture, they collectively communicatethat coping with loss is multifaceted and ongoing.

Our Place

As The Transparency Ends

Yesterday & Today, Today & Tomorrow

And Now We're Doing Something Else

I Lost My Head Instead

Positive Attitude

You Compared Yourself to Me

It Felt Like a Poem

Each Their Own Texture, Their Own Dream

The View was Worth the Effort

We Hung Around in Circles

What’s Left and What’s Gathered is an exchange between my late father and I that explores my relationship with identity and loss through collaboration with the absent body. This series examines a conversation ten years after his death by visualizing various strategies that create a dialogue between us. I am interestedin how loss can lead to creativity and resilience over time. The series operates around two central questions;What is physically left to observe that informs the way you think about a person? How does the gathering ofobjects, ideas, and values impact your perception of them?

The photographs are made in Newfoundland, mainly at a cabin he purchased and left to my sister andI. The structure has always been a place for potential and creativity, photographing there has encouraged me tocollaborate with the space that was intended for growth. Newfoundland’s rural environment has served as a senseof place for us both and returning there to photograph is a simultaneous return to my father. I have acquiredmany of his possessions over the decade including his writing, mainly poetry from which I have taken excerpts to use as image titles. The recontextualized relationship between text and image connects us as artists andanchors collaboration since he did not know me as a photographer nor did I know him as a creative writer andin this work we can coexist.

I am interested in what common ground looks like between us, the way that it is dynamic andmanifests in multiple forms. By situating various image making strategies in this body of work, including stilllife, self-portraiture and activating this piece of architecture, they collectively communicatethat coping with loss is multifaceted and ongoing.

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